limited edition of 200 clear marbled records! elusive records is back with two slices of dubby electronic pleasure served by labels head slavaki, supported by deep atmospheric musical mindtrip on the flip side delivered by the master of funk and atmosphere himself, mr. yapacc. with this record we continue to bring joy to all of you, true lovers of subtle groove and electronic music with soul. first limited number of copies come on beautifully designed clear marbled 12 inch. already enjoying great support from friends around the world, this record is simply set to become a timeless classic.

in the impressive flow of new talent in 2011 on fokuz recordings we already had the pleasure to present the sound of brother, command strange and intelligent manners among others. the next flavour of the funky liquid melting pot called fokuz recordings goes by the name donnie dubson. berlin based irishman donnie o sullivan aka donnie dubson started releasing his funky rollers on have a break and influenza media and already featured on fokuz on the chronicles of the deep lp together with stunna back in 2007. the grapefruit / battlecat release on influenza media in 2009 got him a lot of attention and is still heard in dj sets today. now its 2011 and fokuz presents the beautiful debut album of donnie dubson! his sound can be described as refreshing and original liquid drum n bass with a touch of the well known atmospheric drum n bass vibes from the mid 0s. his basslines are the unique sellingpoint as well as his ability to create an organic feel in the music thats only done by the few who truly understand what liquid drum n bass is all about. pleasuring both critical listeners and the dancefloor audience this album is a perfect overview of the sound fokuz stands for. a great example of how music can be time-less in this decade of fast moving consumer goods.

inspired of the work by masters at work to carl craig, the approach of space breaks is electronic & modern, being playful & groovy. b1 is vinyl exclusive, heavily embedded in the rhythm & sound style, deep and atmospheric. limited to 200 copies worldwide.

rrocckkett 88 is a suite of 45 dazzling instrumental tracks - ranging from 30 seconds to 2 minutes long - alternating between rhythmic and atmospheric forms, all composed on a single synthesizer, the ensoniq sq 80 (manufactured in 1988). as the inspiration for this creation, zano bathroom (an illustrator, artist, and sound experimentalist based in atlanta) used jackie brenstons song, >rocket 88<, considered by many to be the first de facto rock and roll song.
with rrocckkett 88, the artist invented the story of his music. he conceived a fantasy music production house in the mid 80 s in new orleans where hip hop, house, techno, r & b, go go, punk and new wave are both the backdrop and inspiration. using these themes zano bathroom has imagined a comic strip score, made of video game music and tv commercial soundtracks creating a playful, disposable universe.
these seven inch singles on hollie records are the first official release of rrocckkett 88 and this selection of seven pieces is a good representation of the suite as a whole.
limited edition of 300 hand numbered seven inch singles with artwork by zano.

on the a side, asc rolles out another deep and precise track on levitated records. on the flip, method one and stunna collaborate again to continue this exciting partnership. this track touches on elements of techstep, electro, atmospheric and leftfield electronica and >orange to red< bridges the gap between the dancefloor and the science lab.

expect me tells the story of the tough life as an outsider, how lonely he felt as a kid, how he grew up and managed his life against all odds and developed his uniqueness. the tracks mirrors the up and down feelings of despair on the one hand and confidence & trust on the other hand. driving deep into the subconscious, the music of klartraum (soma records, lucidflow) envelopes and surrounds its listeners creating a world in which just like a dream, things are never as they seem. nadja lind and helmut ebritsch (hatikvah) as a studio double duo and burgeoning live act they are bringing an entirely unique edge to their performance and output by taking their flowing techno to a deeper, spiritual level. monty luke from planet e create an atmospheric and emotional remix, oriented on deep happenings and narrowed grooves. detroit influenced and very unique…. a resonant story full of sentiments. einklang freier frequenzens remix comes around with massive chords and deep sub frequency, introducing analogue filtersystems and synthesizers. hear and feel the life of the machinery. listen and feel good!

big with stephan bodzin, hernan cattaneo, gregor tresher, dubfire, monika kruse, mihalis safras, butch, paco osuna, hermanez, gel abril, joris voorn. the labels first three releases have already featured such names as martinez, piemont, daniel dreier and d.diggler, backed by mixes and original productions from some jetts very own team of artists. todays release comes from the label head himself, fred siera who turns in two original cuts, bell x1 and yeager. bell x1 is a deep, driving number. moody and atmospheric with an extra long break it touches on in-flight safety details and even a touch of nancy sinatra. seriously. on the remix and fresh from the success of his tiny little widgets album is martin eyerer. staying true to the original, martin ups the ante by adding more drive and muscle. on the flip the original of yeager is another driving number. deep and percussive with a gorgeous jazzy piano break, it receives a rework from jett001 artist daniel dreier. the watergate resident injects a healthy dose of groove and ups the percussion. added strings, vocal samples as well as a splash of woodwind take the original on a new trip

supported by luciano, douglas greed, gorge, the glitz, mihalis safras, kombinat100. spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and open-minded approach to electronic dance music on his debut album. the first track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and fluffy manner. the lively hustle and bustle on the hidden playground happens in many different ways: sometimes it s the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

arne weinbergs integrity constraint – part 2 is a worthy follow up to the well-received first release in this series. arne has produced these tracks in his atmospheric and well-known style, in which beautifully arranged sounds embrace the listener in a timeless journey.

when two highly experienced producers and djs like guido schneider and jens bond join forces you can guarantee that fans of electronic dance music will go weak at the knees. no wonder also, that their previous collaborations have always been extremely well recieved. indeed, their dubut release >oh my buffer< from 2004 can still be found residing in many record boxes around the world. after their recent exclusive release >getting sleepy< on highgrade, the berlin label now eagerly awaits the next edition from the super duo. the two tracks >bob & curly< and >out of sight< clearly showcase the rhythmic abilities of former drummer jens bond with crisp beats that get straight to the point. coupled with the ability of guido schneider to create subtle arrangements with original compositions and a sophisticated sound palette, the result is a densely atmospheric work. the tracks travel a path through warm rhythms and psychedelic vocals to the heart of the musical jungle.

cadenzas latest offering comes from swiss german duo laurent bovey & gregory poncet, more commonly known as digitaline. firm family within cadenzas realm of artists, digitalines latest >up and down my spine< ep is their fourth contribution to the increasingly impressive cadenza catalogue of experimental and meticulously produced electronic soundscapes. deep and chugging grooves, atmospheric spheres and industrial synth patterns are digitalines forté. up and down my spine is no exception to their uncompromising rule. a-side africa makes its grand entrance with a deliriously deep bass line belting from underneath its hazy atmosphere and pouncing crisply into cutting hi-hats and sweeping snares. the jerky rhythmic groove is determined from its first steps and contrasts impeccably with the sensual and stripped down vocal from diaraby nene by oumou sangaré. trickling over the top of a fierce and bouncing violin melody, the listener is catapulted into a woven cultural journey. africa is an encapsulating house track thats plethora of influences and appeal span worldwide. on the flip, the duos >shivers< is percussive and a clear companion for its counterpart, >africa<. made to sit effortlessly together, the same potion of heavy kicks, tribal essences and impeccable arrangement follow from one side to the other, coaxing our minds and bodies into digitalines intricate musical world

support by richie hawtin. gorge. toni rios. stephan bodzin. kombinat100 and many more! spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and o-pen minded approach to electronic dance music on his debut album. the rst track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and u y manner. the lively hustle and bustle on the hidden playground happens in many di erent ways: sometimes its the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

new leng act mountaineer bring us their debut 12 inch for the label as a precursor to their album. the remix treatment here is coming from two great teams! on side-a we have the idjut boys giving us yet another genre defying direction with a sumptuously dubby take on golden chalk. this one keeps on building from a delicate strummed intro, with delayed vocals, the track slowly draws you into a deep sea of sub bass and guttural wobbles. the idjuts deft hands once again delivering a lesson in subtlety and arguably one their finest works to date. on side-b tuff city kids rework the always coming home in a wholly different way, fat 80s dub bass, hefty hand-claps and linn drum fills underpin some soaring atmospheric synth work. with the vocals dropped, this is the side for the deep-end of the club, as tcks gerd jansen well knows. a must have 12 inch!

first part in the triptych of versalife! pure intense atmospheric electro techno tracks constructed on the costal areas of the dutch west coast (just like the first clone releases a long time ago!).

glenn wilson turns up the screw on his compound platform with a three track dark pumping monster, eye ear drums is a dark hypnotic atmospheric work out with haunting voxs layered over thick drums and rolling throbbing baselines. note decryption rolls over more dark throbbing pulsing baselines in a more tough minimal style. the vault lays down some dirty atmospheric minimal rhythms before erupting into a metallic stabing workout...enjoy

chris finke (flux/atomic jam) delivers the dance floor goods with his fresh 12inch release on gynoid audio moofish. the original sees big room production fused with an acid like riff aimed at melting minds and moving feet. on remix duties are none other than mark broom, whos pulsing remix takes things deeper, dj hi-shock and his hypnotic re-interpretation and go hiyama moves away from the usual >4 on the floor< to deliver an atmospheric, broken beat, idm influenced mix. supported already by the likes of: luke slater, xhin, drumcell, tommy four seven, wehbba, audio injection, chris liebing, gary beck, gayle san, markus suckut, tom hades, and more!

new addition to the mathematics roster with a splendid ep of intelligent house and techno. vanguard opens with an atmospheric groove followed by azimuth & the deep acid cut towards the light. the uranus effect starts the flip before a zenith criteria & ends with the bangin rd-2452.

moody atmospheric piece mastered by aaron carl ! rip

luv jam - better known as andy cole - made his name through outings on we play house and lany recordings, and >mature oak< finds him in fine form, an epic, atmospheric track poised on a bed of analog synths and warm pads, driven by galloping drum mechanics that gradually give way to its climax, an irresistibly squelchy acid bassline that marks it as one of coles most memorable productions to date. on the flipside we get treated to cottams first ever remix. cottam has made an impeccable name for himself, with his signature colourful series of untitled 12s and a contribution to the story imprint. true to his roots, cottams re-rub of >mature oak< is a slo-mo, motorik chugger that makes excellent use of the originals acid line while taking the whole track a step further. its a proper heads down affair that begs for a soundsystem loud enough to do it justice. limited vinyl pressing of 444 copies – hand stamped and numbered. special artwork by pedro carvalho de almeida.

this is the third 12-inch for panacustica, delivering a deep, atmospheric ambient track by cosmic metal mother: >zen locomotive<. as soon as the needle drops onto the vinyl, a train sound emulated by a moog transports us through a gentle melody consisting of moods and textures created by uneven loops of sustained sounds, suggestive of a scenery from a train window in full speed, where color shades melt as well as time and space exactly like the music, an intense trippy and esoteric journey.

markus suckut is an emerging talent in the world of deep, purist techno. having already released on labels like stroboscopic artifacts and lineal, suckut is quickly honing his skills and turning out some seriously impressive club tools. shine opens the ep as an understated track stretching over 10 minutes, however to experience this on a full club system, perhaps when suckut plays at the figure label night in berghain in april, youll quickly.. >symbiosis< is a paranoid jack track - 2011 style. rigid, reduced and yet alive with endless automation and a very unique sound design. on a more dubbed tip, >you< shows suckuts deeper edge in a controlled and well rounded atmospheric tool for the early hours

debut release for stareaway, a new project of german >inventor of pop ambient< markus guentner with singer heiko badje, the man behind saudade-driven pop band la grande illusion. following several releases and highly successful and critically acclaimed albums guentner solely released since 2001 for kompakt and ware, guentner and badje contributed their first co-operation >baghira< on kompakts pop ambient 2006 compilation. markus guentners track >regensburg<, considered to be one of the best tracks kompakt ever released, was selected by sven väth to finish his mix of the second season and remixed by wolfgang voigt. for the start of the new hamburg based label couldnt care more they release two melancholic pop ambient tracks, the title track additionally remixed by osunlade, the acclaimed producer, dj and label owner of yoruba records. the both aerial and profound ambient soundscape of >learn how to love me< is waiting patiently, increasing softly while heiko badjes voice shivers with emotions of entreaty and wanting. it is followed by the sublime deepness of >unwise< in which badjes lyrics about love and temptation appear into a vision of pop as atmospheric intensity and disappear into somewhere else. on the b-side the yoruba soul suite reworks the original totally. osunlade is looking for a different kind of deepness, transforming ambient into an epic, floating journey of house music full of light and groove

mini album from original raw chicago house to atmospheric chilled

in just three years, berlin based artist dehnert has gone from unknown talent to underground hero with his very own >raw techno< sound making waves on labels like his own imprint fachwerk and now delsin, where he finds himself at home amongst the future music of talented cohorts redshape, a made up sound, delta funktionen and more. this ep is an introduction to his upcoming album framework - an uncompromising album made up of pure techno tracks of the sort youd expect to hear on the dancefloors of places like berghain or tresor. they go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. although his tracks are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious basic channel and berghain influences, mike dehnert manages to lock you into whatever mood takes his fancy with apparent ease.

soeren bodner alias monkey maffia is in his deepest corners most definitely one of these. as 50% the mass of the duo wighnomy brothers he along with ex-dj partner robag delivered for more than 1 and 1/2 decades the thunderous current to the dance floors of the world. his vinyl collection has a great measure of the university library. his creativity is just the same. thats why his release debut is nurtured from a kiln of ideas and inspiration. now finally a new valve of creativity of monkey-energy, as it were. fluctuations and trends of the genre he gives a sly wink to. for him quality and originality is taken seriously. there is not just a mere taste when hearing his track-select ingredients of his own making. the same as in his sets, there is an indisputable >happening< along with a diversity in the pieces. it is quite simply monkey maffia unadulterated - sometimes coaxingly understanding, sometimes psychotic with a thump in the hand and scratching on the head...

a1 fur elodie is a cheapy guitar tune combined with the piano to form acoustic sound. other elements are also quite cheapy but sounds very good altogether as a confortable track. a very atmospheric tune to hypnotize people into fumiyas deeper side. the original version is on his album unknown 3 released in 2008. b1 ring bell is a track combined an acoustic loopy drum with a modular bass sound to form a kind of rare groove. a kind of chant starts coming in out at certain points to take you somewhere you have never been before. b2 dealer trick (short version) has got a kind of old school flavour and sounds quite like 90s house with fumiyas dirty, cheeky, and loopy groove. a trick for jack in the box

a1. (lars hemmerling : hedgehog in the fog) industrial sine waves meets frozen echo sculptures in dub, an intense bass journey from dub till dawn.... b1. (gunnar hemmerling : stranger ranger) :broken beat programming + dancehall bassline laid in an atmospheric enviroment / industrial alike soundscapes.

berlin based ed davenport & oliver deutschmann are both established producers in their own right. with a similar interest in urgent, atmospheric moments for the dancefloor, their first collaboration emerges. a proud and powerful statement of the pairs passion for techno, >trump< runs over ten minutes, focusing on a central, ethereal theme that resonates above a rigid wall of percussion. ibadan records boss and internationally respected electronic music figurehead jerome sydenham lays his hands to >trump< in his dynamic, accurate remix that draws us deep into his mechanic-organic sound. nyc based brendon moeller crafts a bass heavy, urgent >appliance< that honours the groove of the original and morphs it pleasingly into more spaced out zones

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

lowjac demonstrates his versatile sound and production style, on a unique debut vinyl only release, featuring an exceptional remix crafted by metrolux label boss xdb. limited copies. >frontal rainfall< is a sublime dub techno piece , subtly infused with organic textures, while its driving flow unravels into an acoustic journey of dreamy realms and atmospheric moods. >hatfield junk< drifts without warning to a futuristic hip-hop direction, triggered by offset beats, cosmic synths and cinematic samples easing into an unpredictable breakdown workout. xdbs b-side interpretation, through different dynamics, rhythmic arrangement and depth perspective, is an astounding display of his ability to elevate the original track to a world of sheer bliss.

january 2011 marks the 5th anniversary of the label and to celebrate there will be two very special releases, the first of which brings together new killer remixes of tsuba classics. the one and only sebo k remixes nina kraviz & okain creating a true peak time house bomb. arto mwambe deliver an atmospheric acid mix of label boss kevin griffiths and art department live up to the hype with a synth driven mix of dyed soundorom. all in all a fitting package to celebrate part one of a very special birthday!,

mysterious shadows, sensual formations and intransparent depths rewrite the fourth baud release of ryo murakami from tokyo. the a-side is launched by the title track >underworld<, which is evident in an appealing soundscape by classical and contemporary dub elements. also on the front side is the playful >night dew<. swirled iridescent synths attend to the atmospheric and unexplored morning dew. >closer< opens the b-side with a gentle, bubbling acidline that rounds off the background with jacking swinging moments. like an enchanted, dark veil >fog< appears on the back side, by building up strings into unsearchable depths

after the strong impact with the track alvaroba in the cristian varelas sublabel exclusive recordings in the artists chart such great as carl cox, yousef, markantonio or joseph capriati, pornographic surprise us this time with the exceptional remixes of great artist like a christian smith, nick & danny chatelain and rene sandova. this new deliver contain alvaroba, cristian varela (original-mix) with tech-house very powerfull christian smiths rmx show his maturity with an amazing remix typical of one of the lords of the electronic music! rene sandoval rmx give >the final touch< with this excellent remix full of elegance and atmospheric- deep house sounds, very characteristic in this talented spanish producer/ dj. nick & danny chatelain rmx, full of sounds very funny and a perfect base for dance floors.

label owner, ryuji takeuchi, teamed up with germanys all time favorite, lars klein, to drop this final weapon to the dance floor all over the world. their successful trustworthy men series on a legendary lk recordings has always been in demand and this 4 tracker ep wont be just another piece of the series, but with new idea an approach, it wont disappoint any techno heads. on the a side, youll find 2 modern proper techno tunes by ryuji takeuchi, that involve his unique driving and hypnotic components with angry style breaks. on the b side, lars klein provided 2 great dark modern techno tracks, which come with driving and atmospheric elements. make sure to get it in hands and witness the birth of the new imprint.

sound design for your space with these 2 mind friendly atmospheric cuts by anton zap. enjoy!

the emerging talent of subb-an is ushered into the culprit fold for the labels eleventh release. an extended member of the culprit clan in spirit and through his associations with hot natured and matt tolfreys leftroom, the young lad from birmingham clearly shares, much like his uk brother-in-arms jamie jones, culprits quintessential moody funk-infused sensibility. his debut ep for culprit, >what i do< is a statement of intent for a man with a definite interest in exploring the soulful and playful edges of house and techno. >what i do< has been slaying discerning dancefloors for months, blending strong chicago house roots with the polished warmth that la-based culprit has come to embody, but never forgetting darker clubbier atmospheric

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

wiched 2x12 of atmospheric deephouse and warm detroit techno. hot!

morphology, a new collaboration from finland consisting of michael diekmann who records under the alias crc and matti turunen otherwise known as näköradiomies. morphology fuses early electro sounds with haunting melodies to create a deep blend of atmospheric future funk.
comes as clear vinyl double 12 inch, limited pressing of 200 copies.

around the start of 2010 mutated forms caught the attention of the legendary vocalist jenna g, whose previous anthem material with un-cut and chase and status make her one of d&b most loved female artists. their debut collaboration >last time< has all the makings of a future classic. a deep atmospheric introduction, along with jennas sublime vocal roll into a warm heartfelt track with light snappy drums and plenty of bass! plays on radio 1 and 1xtras d&b shows, a spin on the pete tongs essential mix and lots of love and singing in the clubs mean you wont be hearing the last of this one for some time to come!
mutated forms get deeper and darker on the atmospheric roller >with you<. precise hypnotic percussion and huge sweeping bass hits combine to craft a track which balances dancefloor destruction with comfortable home listening, and has found massive support from bailey & crissy criss on 1xtra and fabio & grooverider amongst others.

known as one third of the notorious wetyourself crew, throwing parties and djing every sunday night at fabric in london, jacob has been releasing music since 2005 on different labels and under various guises.as a dj he is known for his fast mixing style of stripped down house and bouncy techno, which has made him a favorite in london and on the international underground dance scene, playing gigs all over europe and the world on a regular basis. the end of oct 2010 sees his debut release on the newly-formed wys! recordings with a very limited run of vinyl... do what you want by jacob husley is an upbeat rolling feel good record that has become become a steady ingredient of the sunday night wys! mix. featuring vocals from husley himself, the track is timeless and positive. the rather huge, driving bass line perhaps shows what an effect his 8 years living in london has had on him and also maybe his not-so-secret past as a junglist? all-round danish house legend, mathias mesteno, has created a late night deep builder that drives and drives..the result is detailed and tough! keeping jacob s big bassline, he has created his own feeling around the groove with plenty of atmospheric percussion. barcelona man-of-the-moment garnica from galaktika recs, has created a fantastic peak time groovy dub edit that will have people losing themselves on the dancefloor. watch out for more releases from wys! coming soon, next up is cormac s cold remixed by miss kittin and chris liebing!

well here it is folks, the brand new debut release and label from glenn wilson & mattias fridell. two production perfect works of solid chunky techno with fat vibes aimed at the big floors, both cuts lay down some serious bass heavy hypnotic grooves, pushed along by strong atmospheric sounds. these tracks are no doubt going to be a popular addition to the dance floor and are already receiving big reviews.. no more ghosts is tonal paths second release and the follow up to the debut release the bridge, which received big reviews and heavy rotation from some of the following cari lekebusch, a.paul, adam jay, dj misjah, mike humphries and ben long. no more ghosts lays down two more fat slabs of production perfect techno to conquer the big floors, kicking of with be yourself which is a dark throbbing workout of bass heavy hypnotic grooves which is fast becoming the id sound for tonal path. false sequences progressive layers works and builds into a heavy grinding atmospheric track with a killer break that slams back in for max crowd pleasure.

debut single from james teej (rekids / my favorite robot) in collaboration with aaron santos on parquet recordings. atmospheric & melodic 10 minutes anthem! including a brilliant nhar remix!

amazing doublepack vinyl introduction to new 2020 vision signings morning factory. naming yourselves after a ron trent & chez damier track is a pretty strong statement of intent and you have to have the deep house chops to match. luckily these two guys from the netherlands can walk the walk, this doublepack release harks back to the golden era of deep house. the four tracks are all linked by their deep and grooving atmospheric. from the deep slow detroit sound of >dedication<, to the hypnotic drum workout of >btraxx<, to the bolshie >bouncing moog< to the infectious lead track >lovedazin.< previously receiving on yore records these guys are only starting out, but this release is bound to put them on the map.

nice price deal !!! antennae international present >all the engines< from chicago producers josh werner (former partner of dj sneak on strictly rhythm, force inc. & relief records) & steve hitchell (of echospace) with their long running collaborative project. a modern look at the jak track aesthetic, the original mix melds boomin 808 and crispy hats with a slippery, funked up bassline while the flip tamps down the bpms to a swingin 116 and amps the analog machine funk in the sleazy turbine mixx. the release rounds out with the atmospheric soundscape of >retrofit< drenched in reverb and subterranean bottom.

all the sounds you want to hear just come rushing out to you in all the right places in this great ep from mladen tomic who is accompanied by eclectic remixes from a couple of the finest techno stars: lutzenkirchen and markantonio.the funky kick descends into darkly atmospheric numbers of driving upbeat tech house rhythms.these are a couple of the biggest tracks featuring now on night light records.

zoolofts >looking through a mindscape< ep is a decidedly dark new cut from giorgio gigli and obtane. the catalogue number is 00d and if the >d< signifies anything it should be dystopian. this utterly visual ep straddles dancefloor-optimised rhythms and atmospheric ambience.

influenced by distorted electro sounds, to orchestral,jazz and blues pieces such as shostakovich and tom waits,he presents his first record,3 twisted and rocking tracks on archibell records.the first track right in the spotlight is >tokamak< a track with a dark kick and grind, featuring layered synths and vocal samples that break and drop with attitude.no time for intros this track hits hard and fast and leaves unexpectedly. next up is >g.i.g.a.s<, defined by its epic breaks, driving melody and sudden mood swing.perhaps the less sinister track out of the three, probably to give you a break for whats coming up next. unlike tokamak, nyxstarts with a slow baleful, classically influenced intro filled with suspense. eventually dropping into a deep atmospheric hard hitting groove. evil rhythm crafted with precise microsampling.